One of my poems is among 20 that have been tagged on the footpaths of Adelaide’s CBD, using invisible paint that appears only when it rains. My poem (‘To remember that a tree / is aired in sky as much / as it’s grounded in earth.’) can be found near the corner of Union and Grenfell Streets, opposite the Crown & Anchor Hotel. Many thanks to the Raining Poetry in Adelaide team, the JM Coetzee Centre for Creative Practice, and the City of Adelaide.
My poem ‘Dance of the Last Rhino’ has been published in Issue 2 of The Saltbush Review, an important new journal which focuses on connecting the South Australian literary community with readers and writing spaces across the world. Many thanks to Lyn, Gemma, Melanie, Clare, and Theodora of the editorial team.
My poem ‘Kinesis, Kenosis’ has been published in Social Alternatives’ ‘Poetry to the Rescue: Special Poetry Issue’, volume 40.3. Many thanks to the Poetry Editor, Aidan Coleman.
One of my poems is among 20 that have been tagged on the footpaths of Adelaide’s CBD. The poems have been stencilled with invisible paint, and will only appear when it rains. Many thanks to Jill Jones (who selected the poems), the Raining Poetry in Adelaide team, and the City of Adelaide.
At long last, the Adelaide (‘home town’) launch of my debut book of poems, ‘Carte Blanche’, is imminent. The launch will be a joint-launch, shared with friend and long-time collaborator Aidan Coleman, whose third book of poems, ‘Mount Sumptuous’, has been published by Wakefield Press.
The full details of the invitation are as follows: You’re invited to celebrate the joint-launch of two new books of poems, Aidan Coleman’s ‘Mount Sumptuous’ and Thom Sullivan’s ‘Carte Blanche’. Join us at 7pm for 7.30pm on Wednesday, 12 February 2020, at The Wheatsheaf Hotel, 39 George Street, Thebarton. ‘Mount Sumptuous’ will be launched by Ken Bolton; ‘Carte Blanche’ will be launched by Peter Goldsworthy. Hosted by NO WAVE Monthly Poetry Reading Series, in conjunction with Wakefield Press and Vagabond Press. John Kinsella on Aidan Coleman’s ‘Mount Sumptuous’: ‘Smart, learned, and ironic, the work leads us through the artifice of art and aesthetics, confronting our cultural certainties and pre-judgements. Satire with compassion, wit with deep insight. His is a unique voice.’ Jan Owen on Thom Sullivan’s ‘Carte Blanche’: ‘‘Carte Blanche’, by its very title, welcomes the reader honestly yet artfully in; in to lucidly thought-through poems which balance virtuosity and spontaneity, sense and intellect. These are poems of a swift and convincing trajectory with a feeling for nature as well as human nature and a sense of their interactions and interconnections.’ Full details on Facebook.
This Saturday, 20 July 2019, my debut book of poems will be launched at Mothership Studios, at 18-22 Sydney Street, Marrickville, Sydney, from 2:30-4:30pm, along with new books of poems by Peter Boyle, Natalie Harkin, and L.K. Holt. Sydneysiders are welcome to attend. Copies of CARTE BLANCHE will be available at the launch, and are available already from vagabondpress.net, along with all of Vagabond Press’s 2019 releases – books by Peter Boyle, a.j. carruthers, Toby Fitch, Natalie Harkin, L.K. Holt, and Jessica L. Wilkinson. A launch in my home city, Adelaide, will follow. Further details soon.
CARTE BLANCHE, my debut collection of poems, is available now from Vagabond Press, as a softcover and a limited edition hardcover. Along with CARTE BLANCHE, Vagabond Press has released its full suite of 2019 Australian poetry titles, including new books of poetry by Peter Boyle, a.j. carruthers, Toby Fitch, L.K. Holt, Jessica L. Wilkinson, and fellow South Australian poet Natalie Harkin. Readers of Australian poetry are well served by our best publishers and the quality of books they produce. Even in that esteemed company, Michael Brennan of Vagabond Press has achieved something special with the presentation of these books. Vagabond Press has a great history of publishing Australian poetry, dating back to 1999, but uniquely among Australia’s poetry presses, it’s also known for its books of poetry in translation – including the work of poets from Europe, the Asia Pacific and the Americas.