As an extra addendum to my previous blog posts, it was so enjoyable to ‘attend’ the launch of Alice Allan’s book of poems The Empty Show via YouTube this afternoon (Adelaide time). The book was introduced by Jessica Wilkinson and launched by Louise Carter, with Alice then reading from the book and a lively Q&A. Like many, I suspect, my first introduction to Alice’s work was through her excellent Poetry Says podcasts: a series of engaging conversations with contemporary Australian poets. I hope Alice and The Empty Show get the ‘live/in person’ launch they so much deserve, at some future time. As I’ve written previously, a writer sending a book into the world (particularly a first book) deserves all the love and fuss that can be mustered. Congratulations to Alice: The Empty Show is an excellent book, and available from Rabbit Poets Series.
It’s been a difficult year for launching books. And it was an enormous relief, especially in hindsight, that Aidan Coleman and I managed to jointly-launch our books of poems a few short weeks before the COVID-19 restrictions clamped down in South Australia. It was very welcome, then, to be able to attend the launch of Juan Garrido-Salgado’s Hope Blossoming in Their Ink in Adelaide last week, the first launch I’ve attended in person in many months. It was the sort of lively event we’ve felt the lack of amid our ‘Covid-winter’, even in a city and state that’s weathered the pandemic better than most. Touch wood. It’s also been very welcome, and a small compensation of the pandemic, to be able to attend events and launches interstate, albeit as an online ‘attendance’. It’s a regrettable compromise for the poets and publishers concerned – a writer sending a book into the world (particularly a first book) deserves all the love and fuss that can be mustered – but, for those of us further afield, it’s been nice to ‘attend’ in some small way, even foregoing the customary signings, and conversations. To the point, it was so enjoyable to attend the launch of Ella Jeffery’s book of poems Dead Bolt, launched by Lisa Gorton this evening, even if the setting, from my end at least, was my lounge room in Adelaide. Congratulations to Juan and Ella, and all best wishes for the success of your books, particularly in this challenging time. Hope Blossoming in Their Ink and Dead Bolt are both excellent, and available from Puncher & Wattmann.
With the outbreak of Covid-19, and the consequent cancellation of events, many poets have been left without the opportunity to showcase their new work at launches, live readings and festivals. Red Room Poetry has stepped into the breach by publishing In Your Hands: A poetry collection for isolated times – a free digital anthology of 80 poems by Australian poets whose recent or forthcoming books have been affected by the pandemic. My poem ‘Brag or Bait’ is included in the anthology. Also included are poems by several of my stablemates at Vagabond Press – Melinda Bufton, Toby Fitch, Natalie Harkin, Lucy Holt, and Jessica L. Wilkinson – and poems by a number of fellow South Australian poets, including Juan Garrido Salgado, Jill Jones, and Em Konig. All told, In Your Hands is an excellent snapshot of, and showcase for, Australian poetry now. You can download In Your Hands for free from the Red Room Poetry website. You can also replay the anthology’s live-streamed launch on Red Room’s Facebook page. The launch includes readings by 12 of the featured poets.
A few photos from the launch of my debut book of poems ‘Carte Blanche’ (Vagabond Press, 2019) and Aidan Coleman’s third book of poems ‘Mount Sumptuous’ (Wakefield Press, 2020) on 12 February 2020, at The Wheatsheaf Hotel, Thebarton. The launch was hosted by NO WAVE Monthly Poetry Reading Series, in conjunction with Wakefield Press and Vagabond Press. Many thanks to Olivia de Zilva of NO WAVE for the photos.
Last call! You’re invited to celebrate the joint-launch of two new books of poems, my ‘Carte Blanche’ and Aidan Coleman’s ‘Mount Sumptuous’. Join us at 7pm for 7.30pm on Wednesday, 12 February 2020, at The Wheatsheaf Hotel, 39 George Street, Thebarton. ‘Mount Sumptuous’ will be launched by Ken Bolton; ‘Carte Blanche’ will be launched by Peter Goldsworthy. Hosted by NO WAVE Monthly Poetry Reading Series, in conjunction with Wakefield Press and Vagabond Press. Full details on Facebook.
At long last, the Adelaide (‘home town’) launch of my debut book of poems, ‘Carte Blanche’, is imminent. The launch will be a joint-launch, shared with friend and long-time collaborator Aidan Coleman, whose third book of poems, ‘Mount Sumptuous’, has been published by Wakefield Press.
The full details of the invitation are as follows: You’re invited to celebrate the joint-launch of two new books of poems, Aidan Coleman’s ‘Mount Sumptuous’ and Thom Sullivan’s ‘Carte Blanche’. Join us at 7pm for 7.30pm on Wednesday, 12 February 2020, at The Wheatsheaf Hotel, 39 George Street, Thebarton. ‘Mount Sumptuous’ will be launched by Ken Bolton; ‘Carte Blanche’ will be launched by Peter Goldsworthy. Hosted by NO WAVE Monthly Poetry Reading Series, in conjunction with Wakefield Press and Vagabond Press. John Kinsella on Aidan Coleman’s ‘Mount Sumptuous’: ‘Smart, learned, and ironic, the work leads us through the artifice of art and aesthetics, confronting our cultural certainties and pre-judgements. Satire with compassion, wit with deep insight. His is a unique voice.’ Jan Owen on Thom Sullivan’s ‘Carte Blanche’: ‘‘Carte Blanche’, by its very title, welcomes the reader honestly yet artfully in; in to lucidly thought-through poems which balance virtuosity and spontaneity, sense and intellect. These are poems of a swift and convincing trajectory with a feeling for nature as well as human nature and a sense of their interactions and interconnections.’ Full details on Facebook.
I flew to Sydney for the launch of CARTE BLANCHE on Saturday, 20 July. After the launch at Mothership Studios, Marrickville, I had the chance to drive back from Sydney to Adelaide: a two-day, 1,375 kilometre (855 mile) journey by car, through the Great Dividing Range, and across the plains of New South Wales’ Riverina region and the Mallee districts of Victoria and South Australia.
Much of the journey I knew only from imprecise childhood memories (the Dog on the Tuckerbox, 5 or 9 miles from Gundagai – depending on whether you reference the poem ‘Bullocky Bill’, the later Jack Moses poem, or the Jack O’Hagan song), or through particular contemporary poems. I think of Geoff Page’s poem ‘Hay to Balranald’: ‘Heading west all afternoon the curvatures can still surprise you. / You might as well be out at sea; the skyline is a perfect circle. […] All afternoon forgetting physics / you drive into the sky.’ Or there’s Mike Ladd’s poem ‘Out of Balranald, just on dusk’: ‘Now the last light catches old fridges on their plain of resurrection – / a voice says ‘I AM’ from a burning roly-poly bush […] Kenworths and Macks in their prides / roaring down the gears through the drowse of distant towns.’ It’s an experience of a distinctively Australian Sublime – horizontal and understated, rather than vertical and imposing – as alluded to in On the Hay Plain, a radio episode about the ‘big sky country’ surrounding Hay, written and produced by Ladd. I took photos regularly during the portions of the trip when I wasn’t driving. None has any artistic intent: they were captured only as aide-mémoires. They document something of the journey and the incremental changes in the landscape: green hills, grasslands, riverine plains, dry creeks, brown rivers, river red gums, woodlands of black box and grey box, dry lake beds, sheep, cattle, roadkill kangaroos, saltbush, grain crops, a crop fire, silos, siding towns, salt flats, mallee roadsides, and semi-trailers – and kilometre after kilometre of white-lined bitumen, varying in colour from dark grey to soft grey to ochre. Of course, ‘experiencing’ a landscape while driving through it at 110 kilometres per hour is little better than watching it on TV. In both cases we sit in a comfortable chair, watching images flash past on a (wind)screen. Nonetheless.
Mascot, Sydney, NSW.
Hume Highway, Oakdale, NSW.
Federal Highway, Lake George, NSW.
The Nation’s Capital, ACT.
Barton Highway, Jeir, NSW.
Hume Highway, Coolac, NSW.
Hume Highway, Tumblong, NSW.
Hume Highway, Mount Adrah, NSW.
Morning fog, Murrumbidgee River, Wagga Wagga, NSW.
Sturt Highway, Sandigo, NSW.
Sturt Highway, Sandigo, NSW.
Crop fire, Sturt Highway, Maude, NSW.
Sturt Highway, Keri Keri, NSW.
Sturt Highway, Yanga, NSW.
Sturt Highway, Yanga, NSW.
Balranald Tooleybuc Road, Balranald, NSW.
Bridge over the Murray River, Tooleybuc, NSW/VIC.
Mallee Highway, Manangatang, VIC.
Mallee Highway, Ouyen, VIC.
Mallee Highway, Parrakie, SA.
This Saturday, 20 July 2019, my debut book of poems will be launched at Mothership Studios, at 18-22 Sydney Street, Marrickville, Sydney, from 2:30-4:30pm, along with new books of poems by Peter Boyle, Natalie Harkin, and L.K. Holt. Sydneysiders are welcome to attend. Copies of CARTE BLANCHE will be available at the launch, and are available already from vagabondpress.net, along with all of Vagabond Press’s 2019 releases – books by Peter Boyle, a.j. carruthers, Toby Fitch, Natalie Harkin, L.K. Holt, and Jessica L. Wilkinson. A launch in my home city, Adelaide, will follow. Further details soon.