I’m so delighted to say that Carte Blanche has been awarded the 2020 Mary Gilmore Award for the best first book of poetry published in Australia last year. I feel incredibly honoured, particularly knowing what a great shortlist it was, and how many great books of Australian poetry have received the award in the past.
I had the chance to say a few thank yous at the award night, via Zoom, including thank yous to: the Association for the Study of Australian Literature (ASAL); the three judges who selected the book for the award – David McCooey, Jill Jones, and Dan Disney; and Michael Brennan, my publisher at Vagabond Press.
‘Literature is news that STAYS news’, as Ezra Pound wrote in ABC of Reading (1934).
In many Australian states and territories, there’s an annual award for ‘enduring architecture’, meaning buildings of at least 25 years of age that are considered high quality works of architecture. At a time when contemporary architecture is often derided as faddish and elitist, these awards celebrate – and perhaps encourage – architecture that proves its importance and influence over time.
As in the field of architecture, awards for literature and poetry proliferate. They’re an important means for celebrating newly published works – a benefit to the writer, their publisher and the reading public. But an award that recognises enduring books of poetry is also an attractive idea. It could be, for example, an award for a book of poems published at least 25 years ago – prioritising individual books of poems, rather than anthologies, or a particular poet’s book of collected, selected or complete poems.
Such an award could be a means to renew interest in books that have unduly lapsed from public consciousness or from a wide readership, particularly if the book is out of print, or the publisher has since closed. It could also be a means to acknowledge books that have remained vital, beyond the immediate circumstances in which they were published. It would be a way to celebrate poetry that has stayed news in some sense.
It’s imaginable, in many cases, that a book that didn’t garner much attention at the time it was published has nonetheless accrued importance over time, either through its influence on other poets, or in light of the poet’s subsequent work.
At any rate, such an award is an attractive idea and a modest proposal.
I’m thrilled to receive news that my bookCarte Blanche(Vagabond Press) has been shortlisted for theMary Gilmore Award, for the best first book of poetry published in Australia in 2019. A big thank you to the Association for the Study of Australian Literature (ASAL) and the judges. It’s a great shortlist, and great company to be in.